She sat down on a pile of stones, and sopped her cheek with her handkerchief; then she ate a crust of bread she had put in her basket, and consoled herself by looking at the bird. “Why, Madame, I haven’t had any news since six months!—”!

One evening, on the road leading to Beaumont, she came upon a wagon loaded with hay, and when she overtook it, she recognised Theodore. He greeted her calmly, and asked her to forget what had happened between them, as it “was all the fault of the drink.” They held conversations together, Loulou repeating the three phrases of his repertory over and over, Felicite replying by words that had no greater meaning, but in which she poured out her feelings. In her isolation, the parrot was almost a son, a love. He climbed upon her fingers, pecked at her lips, clung to her shawl, and when she rocked her head to and fro like a nurse, the big wings of her cap and the wings of the bird flapped in unison. When clouds gathered on the horizon and the thunder rumbled, Loulou would scream, perhaps because he remembered the storms in his native forests. The dripping of the rain would excite him to frenzy; he flapped around, struck the ceiling with his wings, upset everything, and would finally fly into the garden to play. Then he would come back into the room, light on one of the andirons, and hop around in order to get dry.

Daylight, gray and violent, steals through the cloud-pall and shows a foaming sea that flattens under the weight of recurrent and increasing squalls. Then comes the rain, filling the windy valleys of the sea with milky smoke and further flattening the waves, which but wait for the easement of wind and rain to leap more wildly than before. Come the men on deck, their sleep out, and among them Hermann, his face on the broad grin in appreciation of the breeze of wind I have picked up. I turn the wheel over to Warren and start to go below, pausing on the way to rescue the galley stovepipe which has gone adrift. I am barefooted, and my toes have had an excellent education in the art of clinging; but, as the rail buries itself in a green sea, I suddenly sit down on the streaming deck. Hermann good-naturedly elects to question my selection of such a spot. Then comes the next roll, and he sits down, suddenly, and without premeditation. The Snark heels over and down, the rail takes it green, and Hermann and I, clutching the precious stove-pipe, are swept down into the lee-scuppers. After that I finish my journey below, and while changing my clothes grin with satisfaction—the Snark is making easting. “Spare no money,” I said to Roscoe. “Let everything on the Snark be of the best. And never mind decoration. Plain pine boards is good enough finishing for me. But put the money into the construction. Let the Snark be as staunch and strong as any boat afloat. Never mind what it costs to make her staunch and strong; you see that she is made staunch and strong, and I’ll go on writing and earning the money to pay for it.” The camera cannot do justice to the House of the Sun. The sublimated chemistry of photography may not lie, but it certainly does not tell all the truth. The Koolau Gap may be faithfully reproduced, just as it impinged on the retina of the camera, yet in the resulting picture the gigantic scale of things would be missing. Those walls that seem several hundred feet in height are almost as many thousand; that entering wedge of cloud is a mile and a half wide in the gap itself, while beyond the gap it is a veritable ocean; and that foreground of cinder-cone and volcanic ash, mushy and colourless in appearance, is in truth gorgeous-hued in brick-red, terra-cotta rose, yellow ochre, and purplish black. Also, words are a vain thing and drive to despair. To say that a crater-wall is two thousand feet high is to say just precisely that it is two thousand feet high; but there is a vast deal more to that crater-wall than a mere statistic. The sun is ninety-three millions of miles distant, but to mortal conception the adjoining county is farther away. This frailty of the human brain is hard on the sun. It is likewise hard on the House of the Sun. Haleakala has a message of beauty and wonder for the human soul that cannot be delivered by proxy. Kolikoli is six hours from Kahului; Kahului is a night’s run from Honolulu; Honolulu is six days from San Francisco; and there you are.